|Rating: The Ugly 66.8
Genre: Action, Science Fiction
Duration: 123 mins
Director: Gareth Edwards
Stars: Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston
A big budget attempt to rectify Hollywood’s attitude towards Toho’s most famous monster shows the right intentions and some of the right ideas but is ultimately crushed under their weight. Bringing Gareth Edwards in to steer this reboot towards Toho redemption was in and of itself a brave move. The director of the critically acclaimed Monsters had recently demonstrated that the monster movie wasn’t the purview of the big studios by making a compelling emotional drama that kept the monsters on the periphery of the action. That he was going to be permitted to similarly sideline the Big Fella was the second surprise! Edwards and writers Max Borenstein and David Callaham thus built this tale around Aaron Taylor-Johnson’s attempt to reunite with his family amid catastrophic destruction as Godzilla resurfaces from his primordial rest to tackle a couple of MUTO’s (Massive Unidentified Terrestrial Organism) who are laying waste to the central pacific. It’s a good idea as the battles get to play out in the background through oblique glances and character PoV. And when combined with the stunning visual effects, it paves the way for some electrifying images and action scenarios.
Unfortunately, two major shortcomings prevent those images from manifesting into the emphatic release they should’ve become. Firstly, Taylor-Johnson’s story is only really nominally central. It seems the executives got their grubby mitts on the script after all because just when the movie should be aligning itself with his travails, it keeps darting off to a bunch of faceless military types who are orchestrating the defence against the monsters (and it takes some doing to nullify David Strathairn and Ken Watanabe’s faces!). This repeated marginalisation of the human lead ultimately negates all the decent attempts at character construction to the point that we become completely apathetic to his plight. With the elimination of the human interest, the monsters which continue to be revealed in side-glance, half light, and shadow aren’t enough to salvage the movie as they become a sideshow with no main event. Therefore, as is typical with so many big budget movies these days, it seems the multiple interests were pulling in different directions and the movie fell between two (or three) stools. If the human drama was nourished in the manner it was in Edwards’ previous outing, his Godzilla battles would’ve been an ever building release of large scale monster carnage, a gleaming red cherry on top of the cake. If the human drama was abandoned from the start and we got more than just the five minutes of Godzilla vs MUTO’s, then at the very least, we would’ve had an albeit unoriginal but reasonably distracting “brain-at-reception” popcorn movie. As it is, all we have is a laudable uneven monster drama that fails to build up enough steam on either stage to engineer anything but the most impotent of drama.© Copyright 2015 Derek D, All rights Reserved. Written For: movieshrink.com