|Rating: The Good – 76.9
Genre: Drama, Science Fiction
Duration: 94 mins
Director: Gareth Edwards
Stars: Scoot McNairy, Whitney Able, Mario Zuniga
Writer director Gareth Edwards announced himself as a filmmaker of note with this subjective approach to the monster movie, which became the basis for his less successful attempt at Godzilla (2014). Whereas most movies of this type sacrifice the personal drama at the expense of big budget monster carnage, his laudable independent feature takes entirely the opposite approach by making a highly personal drama about two lost souls who are thrown together in a near future Mexico which has been overrun with giant creatures from outer space (don’t worry, it works!). Scoot McNairy is a photographer who shoots the disaster left in the path of the creatures and Whitney Able is the daughter of his rich boss who, for her own reasons, has been hiding away in Mexico. However, at her father’s request, she must now return to the US under the care of his initially begrudging employee. But as the airports and ports close due to the encroaching monsters, the pair end up having to make their way through the infected zone and over the border.
The monsters are kept very much on the periphery of the drama and there are no action set pieces in the traditional sense as Edwards chooses instead to use the unusual context to contrast and therefore accentuate the authenticity of the relationship that develops between the two characters. And in truth, he brings us remarkably close to them and keeps us intimately engaged with their struggle. Real life couple, McNairy and Able share a palpable chemistry but are excellent in all other respects too and, of course, this was crucial because we are only too happy to leave the monsters in the background and focus on the couple as they work out their own problems amidst their burgeoning friendship. The movie glides forward thanks to smoothness of their acting, Edwards equally intimate photography (he was DP too), and Jon Hopkins serenely cool score. The threat of the monsters helps ratchet the tension when needed but if the movie has a failing, its that the danger never really materialises in the manner most will be waiting for. This would be fine if Monsters was a straight up romantic drama but the presence of monsters in the first place makes certain promises that will let many a moviegoer down. For the rest of us, there’s more than enough to justify Edwards’ fascinating project and ensure it becomes a cult favourite in the future.© Copyright 2015 Derek D, All rights Reserved. Written For: movieshrink.com