Saving Private Ryan (1998) 3.79/5 (2)
3.79/52

 

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Rating: The Bad – 55.3
Genre: War
Duration: 169 mins
Director: Steven Spielberg
Stars: Tom Hanks, Matt Damon, Tom Sizemore

After successfully landing in Normandy on D-Day, a platoon of US Marines are sent on a unique mission of mercy to locate and bring to safety a soldier whose brothers have all been killed in action. Naturally, the orders put the men’s perspective on duty and morality at odds with one another as the needs of the few are seen to outweigh the needs of the many. Outside of the opening sequence which is undeniably terrific, Saving Private Ryan is a largely ham-fisted affair when placed side-by-side with the great WWII movies. Steven Spielberg shows little patience or subtlety and rather than giving us a real picture of humanity and war in the manner of Terrence Malick’s The Thin Red Line (released the same year), he instead falls back on a cartoon depiction of good guys versus bad guys. The greater success of this film comparative to Malick’s film, would seem to be therefore attributable entirely to the first 15 mins  – a battle sequence so spectacular and visceral that it seems to act as a cloak for the rest of the film – as if the audience will be so desperate for the remainder of the film to be worthy of its opening that they will willfully ignore the most blatant of shortcomings. The simple truth is that the remainder of the film is driven by childish and cliched moral quandaries the likes of which were addressed just as superficially and ad nauseum throughout years of Star Trek: The Next Generation and its spin-offs. But it wouldn’t be nearly as frustrating if Spielberg wasn’t (as usual) trying to ram the sickly sweet sentimentality (so primitively intertwined with cardboard notions of patriotism) down the audience’s throats. This is something he has done for far too long now and with too few exceptional interludes to excuse it. This is not to say Spielberg is a poor director. He’s a truly brilliant director who just lives up to his talent far too seldom due to an over-reliance on visual effects and/or reluctance to move out of his comfort zone.

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