|Rating: The Good – 85.2
Duration: 111 mins
Director: Billy Wilder
Stars: Kirk Douglas, Jan Sterling, Robert Arthur
Billy Wilder shows that film-noir can be done just as well outside the traditional confines of murky streets and shadowy cities by giving us a dry and dusty noir that has all the punch of the more famed classics. Kirk Douglas is the professionally exiled newspaper man who takes up with a small town paper hoping for a big story that’ll propel him back into favour with the big city papers. And when a cave-in traps an average schmuck who had been looting a local Indian burial chamber, he seizes his chance with both hands. There’s just one problem: the schmuck may be rescued too soon for the story to get enough traction. Using all his wiles to co-opt the sheriff and rescuers, the driven reporter orchestrates a slower rescue while, outside the cave, the public interest reaches fever pitch.
Ace in the Hole makes for a rather picturesque film even if you don’t immediately notice it. The sun bleached New Mexican landscape contrasted with the dust and darkness of the cave harnesses the mood of Wilder’s perceptive screenplay to create a rather impressive canvas for his critique of media sensationalism. Chomping down on some outright seminal dialogue, Douglas is arguably in the form of his career and his boisterous presence is the centre of the film. As the money craving wife of the trapped man, Jan Sterling is a streak of caustic self-regard, an underrated triumph in the femme fatale stakes. But Ace in the Hole remains a vehicle for Douglas and his director. The latter peppers more languid moments of contemplation with a litany of amusing carnival type set pieces involving grandiose crane shots and wide contrasts. All framed around Douglas’ arch manipulator buzzing about somewhere within. And on top of all this, they go and give us one of the great noir endings too.