|Rating: The Good – 75.8
Genre: War, Drama
Duration: 133 mins
Director: Clint Eastwood
Stars: Bradley Cooper, Sienna Miller, Kyle Gallner
Bradley Cooper takes on the role of Chris Kyle, the most lethal sniper in U.S. history, in Clint Eastwood’s take on the personal politics of war and the wearing effects it has back home. Putting in another immense shift, Cooper constructs a strong character that sways and bends under the stresses that come with his elite skill. Beginning with his training as a Navy SEAL, we follow Kyle through his four tours in Iraq and his intervening attempts to build a family, where a number of plots play out in successive manner. Plots ranging from the SEALS’ mission to take out a local warlord to Kyle’s personal but often thrilling battle with an elite enemy sniper. Eastwood is to be commended for maintaining the integrity of each of these plots while sewing them into the wider dramatic story concerning Kyle’s wife (Sienna Miller in a solid turn) and his increasingly debilitating PTSD. In fact, American Sniper is arguably the veteran director’s most artful film from the point of view of its structuring. His use of flashback and parallel scenes help to move the film forward so the audience is informed and engaged at an equally steady rate. The action sequences are less inspired with respect to Clint’s directing but their sheer scale tend to compensate for that. Where Eastwood’s touch truly lets him down, however, is yet again in the dramatic stakes. Always a relatively cold director, he fails to make the camera one with his protagonists and while this could have allowed for a more realist style, his pedestrian camera work is incapable of serving that end. In the end, much of Bradley’s good work is left unharnessed as what should be a very personal movie feels decidedly impersonal. American Sniper has been the subject of much political discussion concerning the “War on Terror” and the lauding of an elite killer who showed less remorse in real life than is depicted here but such criticisms are outside the scope of a straight up film critique and so, as a war movie with a dramatic edge, American Sniper must stand on its artistic merits alone. In that respect, it has much going for it even in spite of some directorial limitations.