|Rating: The Good – 70.5
Duration: 104 mins
Director: Mike Flanagan
Stars: Karen Gillan, Brenton Thwaites, Katee Sackhoff
Any horror movie that can be described as original these days is worthy of note and while not completely without formula, Oculus runs just far enough outside the lines of the modern possession story to justify such description. Karen Gillian and Brenton Thwaites star as sister and brother recently re-united after the latter is released from a mental facility 11 years after he murdered their father. It’s not long before we learn that the sister has re-acquired and intends to destroy a creepy old mirror from their family home which she claims possessed their parents and directly caused their murder. With the premise outlined, the narrative then branches by paralleling the events leading up to their parents’ killing with the sibling’s present day attempt to quite methodically destroy the entity in the mirror. In place of the more humdrum horror movie buildup this smart structure creates a tantalising intrigue and becomes the primary driver of the movie’s tension. Gillian’s presence and Thwaites’ deftness work well within its boundaries but the drama would’ve held together better if the lesser known actors mutually shared each other’s strengths. Inhabiting only one strand to the story, Katee Sackhoff and Rory Cochrane have more limited opportunities but still offer more complete performances. Though the tone of the film is expertly set throughout its 104 minutes, the persistent switching of perspective (from the time of the murder to present day) eventually wears on the cohesion of the plot and as writer-director Mike Flanagan escalates his use of that device to actually include time-shifting hallucinations, the audience may struggle to stay engaged. The paucity of even light humour and unrelenting bleakness of the final act will only augment that likelihood. That said, Flanagan stays true to his convictions right up to the close and, best of all, he handles the supernatural concept with welcome restraint by constantly resisting the temptation to up the ante. It may not provide as many classic scares as the average horror vehicle but it furnishes the movie with an integrity that sets it apart from the pack.