Rating: The Good – 83.1 Genre: Crime, Thriller Duration: 99mins Director: Joel & Ethan Coen Stars: John Getz, Frances McDormand, Dan Hedaya
The Coen Brothers’ debut and arguably their signature film stars Ray Hedaya as a wealthy but jealous bar owner who hires a seedy private detective (M. Emmet Walsh), firstly, to confirm that his younger wife (Francis McDormand) is having an affair with his employee (John Getz) but eventually, to kill them both. As you’d expect from the Coens, there are lots of ins and lots of outs in this story and, combined with the seductive dialogue, it makes for a compelling modern film noir that ranks among the best of the genre. Appropriate also to the genre is Barry Sonnenfeld’s atmospheric photography and the way in which the wider setting (in this case Texas) becomes a character in the story in and of itself (ditto Carter Burwell’s seeping score). The cast are uniformly excellent with McDormand, Walsh, and Hedaya being particularly memorable. Hedaya for his part has never been better and would easily run away with the film if it wasn’t for the caliber of his co-stars. Blood Simple is as atmospheric as movies get and there isn’t a single feature of the production that a movie buff wouldn’t relish. Most importantly, however, is the fact that it’s an electric story with more twists and turns than a bag full of corkscrews.
Rating: The Ugly – 65.1 Genre: Action, Science Fiction Duration: 109 mins Director: Jean-Pierre Jeunet Stars: Sigourney Weaver, Winona Ryder, Ron Perlman
200 years after she threw herself and the alien growing within her into a molten pit, military scientists genetically re-engineer Ripley and her parasite back to life in order to harvest the alien embryo. Fortunately for the surviving crew of the inevitably doomed ship, the mingling of the two species’ DNA left her with a few special abilities. First things first. Alien: Resurrection backtracks on the finality of Alien 3. It introduces an overtly comic-bookish plot and a host of caricatured personalities into a series of movies that were always defined by tight plots and layered characters. The genre defining set-pieces of Alien and Aliens and the admirable attempts of Alien 3 are replaced by contrived, blockbuster, slow-motion explodathons. The most interesting aspect to the story, writer Joss Whedon’s notion of Ripley’s ‘rebirth’, is completely misinterpreted by director Jean-Pierre Jeunet. The incisive dialogue of the first three instalments replete with its organic wit and charm is replaced by a one-liner infested script which plays to the sound bite. The lavish production design jars completely with the more elegantly simple aesthetic of the first three. Similarly, the sleek and dark naturalism of H.R. Giger’s creature design is ultimately replaced with a quasi-surrealist Cronenberg-esque body horror. And lastly, and perhaps most unforgivably, the steely fear and breathless tension that so defined Scott’s, Cameron’s, and Fincher’s movies is relinquished in favour of gore, gore, and more gore resulting in yet more outlandish events that feel so ‘alien’ to the series.
With all this in mind, if one is going to enjoy Alien: Resurrection, one must take it entirely on its own merits and treat it as a standalone feature. For those who can do that, there’s a fairly enjoyable action/sci-fi/horror romp lurking beneath the ashes of the great series. Sigourney Weaver is back in her darkest Ripley incarnation and she eats up the opportunity to play with the well worn role. The movie comes alive when she’s on the screen and she is the most important factor in its partial redemption. There are also a host of fantastic character actors (e.g., Brad Dourif, Ron Perlman, Dan Hedaya, J.E. Freeman) playing the various secondary roles and caricatured as they are, the quality of the actors inhabiting them makes them fun to watch. The creatures look better than that which most sci-fi horror movies offer up and can even be enjoyed from the perspective of the franchise. As mentioned above, inappropriate as it may be to the Alien series, the production design and creature effects are still first rate and when combined with the motley gang of badasses led by the gnarly Ripley, the whole thing becomes quite entertaining.
Rating: The Ugly – 62.2 Genre: Action Duration: 90 mins Director: Mark L. Lester Stars: Arnold Schwarzenegger, Rae Dawn Chong, Dan Hedaya
It’s not easy to fully describe how utterly stupid this movie is. From the beyond lame opening montage of Arnie and his (on screen) daughter feeding deer and frolicking in slow motion to the willful buffoonery of what is passed for the plot, the ham-fisted dialogue to the cardboard characters, the shabbiness of Schwarzenegger’s still unpolished acting to Vernon Wells’ outrageous turn as the chief villain, this movie is a case of the ridiculous being piled on top of the ridiculous. Of course, as a pure action vehicle straight out of the mid eighties (when Hollywood had the genre down to a fine art), it works despite all of this! Cheese it may be, but nostalgic high octane cheese it remains. Everyone involved dives in head first and there’s a genuine sense of fun to the proceedings even as the cast are rattling out some of the worst lines in screenwriting history – seriously! The set pieces are great bang for their buck and although Wells’ Bennett counts as the most ludicrous movie villains, it’s an undeniably addictive performance. All this makes Commando one of the ultimate guilty pleasure movie experiences. So do like the cast and crew do and just dive in head first and start laughing.