|Rating: The Good – 76
Genre: War, Drama
Duration: 130 mins
Director: Joseph Sargent
Stars: Gregory Peck, Dan O’Herlihy, Ed Flanders
Joseph Sargent’s little recognised account of General Douglas MacArthur’s career from the beginning of WWII to his retirement is a rather compelling and fully engaging military drama. Gregory Peck takes on the role of the larger than life figure and imbues him with all the self-certainty and military vision that have come to be associated with him but balanced that with a healthy dose of sadness at the passing of time, and a complicated look at the self-proclaimed pacifist’s contradictory craving for war.
As much as Franklin J. Schaffner did with Patton, Sargent captures the point at which myth and reality meet and seems to paint the entire picture with that theme. At all times, we feel we are witnessing something epochal. Befitting the name and the myth, there’s a majesty to the tone of the film and there’s nobody better to shoulder any accompanying stress points than Gregory Peck. Such stress points take the shape of necessary omissions of key occurrences that would give more accurate shape to the political and military incidents MacArthur is otherwise given full credit for. But through Peck’s ownership of the role, he gives one the impression that such cracks in the story don’t exists – just like the General himself did! In its place, is a very elegant progression of events as Sargent unfolds a rather substantial history of the man and America’s contemporaneous international concerns.
The look of the movie can impress at times but, at others, it has a distinct TV movie feel. The wide staging of some of the battle sequences for example is magnificent but when up close with the soldiers, it all gets a little artificial. But unlike say The Longest Day, this isn’t about the knitting together of the large and small scale realities of war. Instead, it follows the likes of Patton, by using the latter as dramatic filler between the more dramatic scenes. Just not as substantially as was done in Patton.
Unfortunately, MacArthur has been forgotten by everyone but the strictest of war movie buffs. Peck always walked a tightrope between stoic brilliance and wooden delivery but such an affectation seems very befitting of the blood-military “General’s General”. Like the film as a whole, it’s a delicate balance that comes out firmly on the right side and deserves a wider audience.