Tag Archives: Ida Lupino

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High Sierra (1941) 4/5 (1)

 

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Rating: The Good – 75.8
Genre: Crime, Film-Noir
Duration: 100 mins
Director: Raoul Walsh
Stars: Humphrey Bogart, Ida Lupino, Alan Curtis

The same year John Huston and Humphrey Bogart were to make their big splash with The Maltese Falcon, they preceded it with this collaboration but with Raoul Walsh at the helm. Bogie stars as the career criminal, Roy Earle, recently pardoned and heading straight for the Sierras for the biggest score of his life. On arriving there, he finds his volatile young partners fighting over the street-smart Ida Lupino while becoming enamoured of a crippled girl who reminds of him of his old family’s country stock. The story is a little stretched and Earl’s hard exterior could probably have been penetrated without the extended subplot concerning the young girl and her family which pulls against the tension of the darker scenes rather than offering an effective contrast. It’s a pity too because the planning and execution of the heist is wonderfully put together juiced up by the sultry presence of Lupino and hardbitten grit of Bogie at his most intimidating. The turns of phrase, the simmering of violent urges, the psychology of the criminal relationships, and the action sequences all furnish High Sierra with the most important elements of the classic noirs and result in some hair-raising confrontations. The memorable ending involving the police’s mountain pursuit of Earl is also terrifically staged and would’ve provided an even more effective end-point to a more streamlined script. In the end, Huston can chalk it off to experience because his next film was to be a veritable masterclass in the funnelling of plot but High Sierra still offers much more than most crime thrillers from that era.

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Hitch-Hiker_Lupino

The Hitch-Hiker (1953) 3.43/5 (2)

 

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Rating: The Good – 75.5
Genre: Film-Noir
Duration: 71 mins
Director: Ida Lupino
Stars: Edmond O’Brien, Frank Lovejoy, William Talman

Edmond O’Brien and Frank Lovejoy play two buddies whose fishing trip takes a nasty turn when they pick up William Talman’s murderous hitchhiker. As one of the first women to step behind a camera in Hollywood, Ida Lupino blazed a cinematic trail by penning and directing this relentless film-noir and the fact that it was loosely based on a real story of the time makes the drama all the more chilling. O’Brien and Lovejoy are terrific in different ways and give their characters a believable chemistry. Talmam on the other hand is truly intimidating as the sadistic serial killer with far too many points to prove. It’s the characterisations that make this story so telling with the final scene being particularly perceptive. Lupino does as well behind the camera as she builds an increasingly uncomfortable tension with every passing frame until that breathless finale. The Hitch-Hiker is dark cinema even for the heyday of film-noir but its textbook construction and acting make it just as compelling.

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