Rating: The Good – 83.1 Genre: Crime, Thriller Duration: 99mins Director: Joel & Ethan Coen Stars: John Getz, Frances McDormand, Dan Hedaya
The Coen Brothers’ debut and arguably their signature film stars Ray Hedaya as a wealthy but jealous bar owner who hires a seedy private detective (M. Emmet Walsh), firstly, to confirm that his younger wife (Francis McDormand) is having an affair with his employee (John Getz) but eventually, to kill them both. As you’d expect from the Coens, there are lots of ins and lots of outs in this story and, combined with the seductive dialogue, it makes for a compelling modern film noir that ranks among the best of the genre. Appropriate also to the genre is Barry Sonnenfeld’s atmospheric photography and the way in which the wider setting (in this case Texas) becomes a character in the story in and of itself (ditto Carter Burwell’s seeping score). The cast are uniformly excellent with McDormand, Walsh, and Hedaya being particularly memorable. Hedaya for his part has never been better and would easily run away with the film if it wasn’t for the caliber of his co-stars. Blood Simple is as atmospheric as movies get and there isn’t a single feature of the production that a movie buff wouldn’t relish. Most importantly, however, is the fact that it’s an electric story with more twists and turns than a bag full of corkscrews.
Rating: The Good – 84.2 Genre: Horror, Science Fiction Duration: 96 mins Director: David Cronenberg Stars: Jeff Goldblum, Geena Davis, John Getz
Few directors demonstrated the innate ability to disturb like David Cronenberg did in his earlier films and in this more mainstream outing he didn’t hold back in the slightest (deleted cat-baboon scene notwithstanding). The result is a sci-fi horror masterpiece unlike anything before it or since. A remake of the 1958 original, this film also tells the story of a scientist who while testing a teleportation device gets spliced together with a fly resulting in a incremental transformation into a diabolical hybrid of the two species. Jeff Goldblum is phenomenal as the scientist Seth Brundle. He makes the character his own and brings a host of perfectly fitting idiosyncratic mannerisms to both Brundle’s human character and ultimately the Brundlefly character. He is well supported by Geena Davis as Veronica, the journalist documenting his project and inevitable love interest.
On the technical front, the creature effects are incredible but certainly not for the squeamish while Howard Shore’s score is tremendous and reminiscent of Herrmann at his most dramatic. The Fly is a peculiar film in many ways. It has a very small cast as most of the action takes place in Brundle’s lab. This augments the authenticity of Brundle’s and Veronica’s relationship, making the climax all the more poignant. On an implicit level, The Fly is perhaps better remembered for its more sinister undertones. The idea that technology is the manifestation of the over-boldness of genius lies at the heart of the film. Rarely has this message been expressed in colder more effective fashion than in Cronenberg’s masterful use of the Kuleshov effect where Brundle gets told the cold hard truth from his seemingly insidious computer. Take a bow Mr. Cronenberg.