Tag Archives: Jurgen Prochnow

Das Boot (1981) 4.76/5 (3)


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Rating: The Good – 84.5
Genre: War
Duration: 149 mins
Director: Wolfgang Peterson
Stars: Jürgen Prochnow, Herbert Grönemeyer,

Wolfgang Peterson’s account of life aboard one of Germany’s infamous WWII U-boats provides the perfect metaphor for the confusion of war. Jürgen Prochnow plays the submarine’s captain charged with attacking the heavily protected Allied convoys in the Atlantic while contending with the often uninformed orders of his fleet command. Director Wolfgang Peterson wonderfully creates the sense of claustrophobia that came with being cooped up in such small quarters for extended periods of time. He is equally adept at using that claustrophobia to augment the boredom of the quieter scenes and the terror of the battle sequences as the boat dives ever deeper to avoid the depth charges of the Allied battle cruisers circling above. The release of that mental and physical pressure is also spectacularly captured on the occasions when the U-boat surfaces and Prochnow leads his boat through the waves from the top of his conning tower to Klaus Doldinger’s magnificent score. All this makes Das Boot a unique film going experience and one that stays with you long after seeing it.

Dune (1984) 4/5 (5)


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Rating: The Good – 77.1
Genre: Science Fiction
Duration: 137 mins
Director: David Lynch
Stars: Kyle MacLachlan, Virginia Madsen, Francesca Annis

David Lynch’s much maligned adaptation of Frank Herbert’s seminal novel has been criticised by lovers of the book (which, let’s face it, were always going to be difficult to please), those desperately hung up on Alejandro Jodorowsky’s doomed adaptation (which, let’s face it, was mouth-watering in its potential), and those who seem to have a mind about as open as the vault door at Fort Knox. However, no matter what your bias or leaning, there’s no denying that Lynch brought a level of abstraction to this version that was startling and in its own way defining. The epic story is one of political intrigue 8,000 years in the future between powerful houses fighting over a planet which holds the key to the most valuable natural resource in the known universe. Kyle MacLachlan plays the prince of one of these houses who must realise his destiny on this strange planet and he is surrounded by a host of quirky characters played by equally quirky performers. This film is probably unlike anything you will have ever seen and the sheer breadth of its unfamiliarity will leave you disorientated and at times deeply uncomfortable. And of course, for a film set so far in the future that’s exactly the point! The one major criticism that is not levelled often enough against sci-fi films is their failure to give the viewer the impression that what they’re looking at is alien. Dune is a raging triumph of alienation and disorientation. Once you acclimatise to it, however, the film becomes a rather fascinating experience and while cheesy in places (often due to MacLachlan’s bright eyed naivety being dialed a tad high) for the most part it plays out as extremely sophisticated science fiction. Not for the feint willed, but if you’re a student of sci-fi in particular and film in general, Lynch’s Dune is a must see.

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