|Rating: The Good – 83.7
Genre: Science Fiction, Action, Satire
Duration: 102 mins
Director: Paul Verhoeven
Stars: Peter Weller, Nancy Allen, Kurtwood Smith, Ronny Cox
You have to admire directors who have a clear unmistakable and atypical style. It indicates a level of control and finesse that separate themselves from the mainstream line-towers who movie execs tend to favour. Carpenter, Cronenberg, Mann, DePalma, Kubrick are some such directors and so is Paul Verhoeven – even if his hallmarks are slightly more overt than the aforementioned. His signature trilogy comprise Starship Troopers, Total Recall, and RoboCop. Each are as much fun as you can have with a sci-fi and each have their unique strengths. Two of them have silly names but they are Verhoeven’s masterpieces. In fact, Robocop and Starship Troopers are similar in other ways as both play with the social mores of the their time through a mixture of clever story-lines and delicious television newsflashes which act as intermissions to the drama.
RoboCop is exactly what it says on the tin (no pun intended). Detroit police department of the near future gets contracted out to a nefarious company who institute a new security programme by turning a cop killed in the line of duty into a heavily armed and virtually unstoppable cyborg. Peter Weller is a revelation as the titular hero as he transforms from everyman cop to robot. Everything from his walk to the way he speaks seems authentically robotic (startlingly so in fact) and it’s hard to imagine even Schwarzenegger (originally meant for the job) matching his performance (The Terminator required a more subtle portrayal due to the fact that those cyborgs were supposed to look human). Nancy Allen does well as his gutsy partner and Ronny Cox is of course on hand to spit venom at all and sundry. However, even he is outshined in that department by Kurtwood Smith as the truly loathsome Clarence Boddicker.
Basil Poledouris’ score is suitably exhilarating and Edward Neumeier and Michael Miner’s script is daring, witty, sharp, and perfectly structured. Some of the special effects involving the ED 209 are a bit clunky but Rob Bottin’s robosuit is a joy to look at. The star of the show however is undoubtedly Verhoeven as RoboCop is a tight, meticulously crafted, and hugely satisfying satirical sci-fi. Everything from the way RoboCop is finally introduced to the switching from regular perspective to RoboCop’s perspective is done to drive the dramatic tension of the film and it all works a treat. Don’t dismiss because of the title. Watch it and even that will make sense. “I’ll buy that for a dollar.”