|Rating: The Good – 84.4
Genre: Thriller, Drama
Duration: 128 mins
Director: Stephen Gaghan
Stars: George Clooney, Matt Damon, Christopher Plummer
For a film that boasts lots of stars and acting talent, Syriana is a rather more unorthodox thriller than we might expect. Set amid the world of oil trading and based on Robert Baer’s book, it follows Amirs, petroleum executives, senators, high profile lawyers, terrorists, and CIA agents as they engage each other in a global chess match where the tool is geographical instability and the prize is power. The result is a collage of intersecting plots that thrill on a variety of dramatic levels. Political machinations, corporate intrigue, religious extremism, cultural ambition, and personal tribulation all bound together with coherence and momentum.
An ambitious project to be sure but one that succeeds due to a tight script and intelligent directing which combine to give a story of such scale much focus while, at all times, giving the audience the benefit of the doubt. Nothing is spoon-fed here as every deal, negotiation, and conversation is veiled and approached at an angle. Much is left for the audience to work out, a tactic that encourages them to invest in the story. But what really defines Stephen Gaghan’s film is its overarching sense of realism. The plot is allowed to increment forward in a manner where little looks to be happening but where a lot feels like it is. A triumph of efficient directing where each character is embellished richly with a mere half-glance or dinner order. Back-room wheeling and dealing portrayed so incidentally that what would appear outlandish comes across as chillingly real.
And the cast contribute strongly too. George Clooney puts in an Oscar winning turn as a spy very much caught between two worlds and cultures, who is sent to Beirut on CIA business only to be frozen out when things go wrong. Jeffrey Wright is deviousness personified as the Washington lawyer asked by his sinister senior partner Christopher Plummer to take a closer look at a merger between two oil giants, one of which, is headed up by the always excellent Chris Cooper. A host of other top names and some talented newcomers fill out the lesser roles but it’s fair to say everybody plays second fiddle to the intricate plot. That it all plays towards a deeply moving and emotional crescendo is what precludes this almost experimental political burner from unravelling. Instead, it seems to cohere rather impressively and honestly around some unappetising home truths and leave everyone thinking. Impressive indeed.