|Rating: The Good – 74.9
Genre: Action, Fantasy
Duration: 132 mins
Director: Bryan Singer
Stars: Hugh Jackman, James McAvoy, Michael Fassbender
Director Bryan Singer brings an assured and classy touch back to the franchise he helped forge in this surprisingly gripping fantasy sci-fi in which two versions of the same X-Men are united across time in an epic showdown to save the Earth against a future army of robot “Sentinels”. Superbly balancing the multiple threads to the story so that the main plot pulses steadily and clearly from start to finish, X-Men: Days of Future Past counts as a rather impressive feat of story-telling. With Patrick Stewart’s “Prof. X” and Ian McKellen’s “Magneto” on one side of the temporal divide, their successors (James McAvoy and Michael Fassbender respectively) on the other, and Hugh Jackman’s “Wolverine” straddling the two, we move between a nicely realised 1970’s and a desolate future as the older X-Men attempt to alter their own history and preclude the invincible Sentinels from ever coming into being. On the technical front, this movie is pillared by some genuinely striking action set pieces opening with an elegantly edited showdown between mutant and robot and peaking with an acutely impressive prison-break in the bowls of The Pentagon. This latter sequence, wryly soundtracked to Jim Croce’s “Time in a Bottle”, involves Evan Peters’ delightfully impish “Quicksilver” making a high speed mockery of the famous building’s security in a whirlwind of smile-inducing not to mention brilliantly conceived mischief-making. Alongside this brief cameo of what very well might prove to be the franchise’s most lovable character, what really sets Days of Future Past apart from the myriad of modern superhero movies is the sophistication of its construction. Though most of the future mutants offer mere cameos, Singer makes the most of their personalities and powers, deftly interweaving their trials and tribulations with those of their past counterparts and culminating in a suitably rousing finale. Given how uninspired and formulaic the genre has become, it’s genuinely refreshing to come across a simply well made movie.